If it seems like I'm posting a lot of pictures lately, it's because I only recently had all the photos on my camera downloaded to a flashdrive, thus allowing me to post them in the absense of a GSB cable.
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And now, for something entirely different:
( The Death of a GiantCollapse )
If you look at my location, you will see that I am still in the Fortress of Moderate Crazy. Eventually, this may change and I may find myself in the Fortress of Raging Insanity.
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May 2013
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Last night, I stayed up late to finish reading the first pass pages of IN3 — which is the last time I’ll get to make changes in the book before it goes to printing. (This isn’t the last time anyone will look over it before printing, though; a team of proofreaders will do second and third passes on it, until it needs no more work.) Historically, my first pass pages have all been . . . interesting. INCARNATE had HoHugging and similar hilarity. (Not to mention a missing paragraph and migrating dialogue tags!) ASUNDER had these weird symbols wherever apostrophes and quotes were italicized. ![]() That doesn’t mean there won’t be changes, though. The pages sticking out to the left are all the pages I’m sending back to my editor, so she can put my changes in the master document that lives at HarperCollins. First pass pages are printed to look like the book. They’re in the book layout, with the font and chapter headers and all of that. They’re what ARCs — Advance Reader Copies — are printed from. Changes in the first pass stage are supposed to be minor: fixing typos, word rep, HoHugging, spacing, or whatever. A chapter title changed in ASUNDER. My changes are typically very minor at this point, but I know other writers who’ve added scenes, changed endings, etc. Still, there are quite a few minor things changing in IN3. The ARCs printed won’t reflect these changes. Only the final copy. I love ARCs — I love getting them and reading them before other people (and the taunting that goes along with) — but I’m going to tell you a true story: I cringe whenever I see someone reading an ARC weeks/months/years after publication, because I know what kind of changes I make between ARCs and final copies. I can’t even guess what other authors do! I’m really, really excited about IN3 ARCs going out into the world in a few months. And I’m dealing with the fact that advance readers will see that hideous word repetition on page whatever. But I’m really looking forward to final copies in January/February next year, because they will be clean and shiny. (And that sentence — no, don’t look at it! — will be better structured.) But speaking of IN3 ARCs, have you entered my giveaway to win one of the very first ones? Originally published at Jodi Meadows. You can comment here or there. There are people keeping you from writing in your life. Some of them may be small, squirming, cute little creatures who think they need you constantly and weep piteously every time you try to move away from them. I had five of these and I understand the temptation to give up writing time for them. But there are other people who are stealing your writing time and I urge you to identify and stop them. 1. You are keeping yourself from writing. You have a million excuses. Sometimes you are keeping yourself from your best writing by working on projects you think are “more commercial,” but which you don’t actually love. Sometimes you are keeping yourself from your writing because you are afraid or because you don’t believe you are good enough. Sometimes you are keeping yourself from writing because you are refusing to admit that you need some medication or assistance with other work or because you need to say no more often to other things. 2. Old voices from your past. It could be an old teacher who told you you could never become a writer because you don’t know your grammar well enough. It could be a parent who told you that writing isn’t a “real job.” It could be an old “friend” who read one of your first works and then ridiculed you mercilessly about it the rest of the time that you were “friends.” 3. A spouse is actively sabotaging your writing. I have seen this happen on occasion. Most of the time, writers struggle with spouses who simply don’t understand what it means to be a creative type. They often mean to be supportive, but sometimes are doing it in the wrong way (by offering suggestions that are completely useless). But there are spouses who are competitive and simply mean. If you married one before you knew you were a writer, you may have to choose between the marriage and your dreams. 4. Your writing group acts like crabs in a barrel. They have stopped really trying to get published and they have certainly stopped trying to help you become a better writer. Instead, every group meeting devolves into a rehashing of all the old problems your earliest manuscripts showed and a list of everything wrong with the current book, with no kind words about how you’ve improved and no useful suggestions. 5. Children or parents who are afraid that your writing may in some way embarrass them. They are constantly asking to see manuscripts so they can “vet” them by giving you approval that your version of them is “correct.” This can happen whether or not you are writing anything remotely non-fictional. Sometimes people see themselves in characters where they are not. But even if you intended the comparison, it doesn’t help to have them give you “feedback.” 6. An agent who never sends anything out. If you have an agent who acts more as a block to you finding the right editor for your book than as a guide to the publishing world, it may be time to part ways. I often tell writers that the problem isn’t their agent, it’s themselves, but there are times when it’s the agent. If your agent doesn’t like anything you write or can’t see potential in it, then you have the wrong agent for you. 7. An editor who has damaged you so badly by rewriting things for you that you stare at the blank page with horror. I have heard stories of this, though it has never happened to me. Editors should NEVER EVER rewrite for an author. On rare occasions, I have had editors suggest “something like this?” But an editor who is writing lines for you is an editor who is trying to usurp your position as a writer. 8.A friend who keeps talking about the books you used to write. It may be that this is intended kindly, I don’t know. But in my experience, looking backward is not a good thing. If you have abandoned a project from the past, there is probably a good reason for it. Hitting your head against the same wall again and again is not productive creatively. 9. Co-workers at your day job/neighborhood friends who are constantly giving you advice on what book you should write next to “make it big.” What sells big and what you want to write are completely different things. What sells big and what you are uniquely able to write well are completely different things. You need to write from your heart more than you need to write what someone thinks is “easy.” 10.Critics of your last book that sold badly. I know this one intimately well, believe me. One of the problems here is reading reviews of your own books. Reviews are not meant for the author. Really, they aren’t. They aren’t kind attempts to help you become better. If they were, the reviewers would send them to you and to no one else (although sometimes on twitter, it can feel that’s what they are doing). Reviews are for readers. They are to help readers find books like other ones they liked. They have nothing to do with writing. NOTHING.
Tuesday May 21, 2013 From Twitter: Peace Corps @PeaceCorps Master, bless. I've seen it come up several times on Dreamwidth (haven't checked LJ yet), and I'm sure it's all over Twitter and Tumblr. But. Apparently, like Disney wanting a trademark on the phrase Dio de los Muertos, Fox wants nothing else to exist that might confuse people. 1. Print it on specially colored paper. 1. Have a killer hook. Fascinating discussion on "All In With Chris Hayes" about how a tornado works. because it beats the alternatives. My friend Rich is running an RPG set in Three Musketeers era France, only there's also some magic. We're using a rules system called Fortune's Fool, which is pretty neat. It's diceless: you use a tarot deck to resolve all events.
Poll #1914741
just a man and his will to survive
What kind of tiger?
View Answers
Ticky? One more birth. "Why did you build houses where tornadeos were apt to happen?" 1. You are letting people tell you that you should be doing other things with your time. 2. You can’t live with the level of clean that your family accepts as normal. 3. You haven’t decided to treat your writing seriously and so no one around you treats it seriously, either. 4. You haven’t made yourself a writing space. 5. You haven’t realized that you need help. 6. You do what is urgent rather than what is necessary. 7. You don’t let your kids and other people solve their own problems. 8. You think that someday you will have more time for writing. 9. You are spending time doing things you actually don’t care about. 10. You are actually using distractions as an excuse not to write. 11. You are terrified of writing, of actually sitting down and putting yourself on the page. 12. You are too busy criticizing the best selling books that you are reading to write something better. 13. You don’t know what to do with a blank page. 14. You don’t know how to turn off your internal editor. 15. You talk a good game, but you don’t play it. 16. You need to do a little planning and research before you start. 17. You don’t actually like writing. You like having written. (Join the club.) 18. You need to write the first line of the next chapter before leaving for the day. 19. You need to spend time remembering what it is you love about writing. 20. You have convinced yourself that you need 2 hours to write and don’t know how to use the 20 minute chunks you actually have. 21. You don’t have notebooks scattered through the house, including in the bathroom, to jot down inspiration. I was so insanely tired after the weekend I've fallen down on my sketching. But to make it up to you, I present this splendid bear drawn for me at MECAF by splendid Ellen T. Crenshaw.
Oh, gosh. Here's your weepy moment for the day. It always amazes me how getting a couple of big, mentally taxing projects (like, say, a major novelette commission and the Very Important Third Book Of A Trilogy) squared away opens out the horizons. There are suddenly more hours in the day, and more energy to get stuff done in those hours. Creative work is really emotionally taxing. The more ambitious it is, the more taxing. I've been struggling, the past couple of months, to get the basics done--dishes washed, bills paid, exercise exercised. Now that the book and one of May's two novelettes are done, suddenly my head is full of room. Case in point: after yesterday's marathon work session, I'm achy and exhausted and this morning's run was kinda brutal (and truncated by two families of geese, who I was unwilling to disturb in order to run along the trail they were hanging out on) but I still got All The Procrastinated Errands Done this morning, and more will happen this afternoon. And I've reread what I have on the month's other novelette, which is actually probably going to be a short novella, and I like it! It's good!I just have to figure out the twist and the rest of the caper, and I'm good to go. Excelsior! Timeline is one of the trickiest things for me as an author. This may be because I don’t outline or it may be a problem for all authors and all books. For me, there were two distinct tasks involved in this. 1. Condensing events My first draft of The Rose Throne had Issa and Ailsbet begin as pre-teens, about age 11. They met each other briefly, became friends, and then spent another 6-7 years apart before meeting again at age 17. I think I did this in part because I was used to spending a lot of time building backstory for my main characters. In The Princess and the Hound, Prince George begins as a young child and ages up through about 70 pages of the book. But The Rose Throne was a very different book than The Princess and the Hound, in part because there were two viewpoint characters who grew up in different kingdoms and had very different views of the magic system which they actually share. But in addition to that, I think The Rose Throne is for an older audience than The Princess and the Hound. And there were other reasons for me to condense the story, which included the fact that if Issa and Ailsbet had met and become friends as younger figures, a lot of the narrative tension around their relationship was taken away from the rest of the book. I cannot say how often I have done critiques on manuscripts in which I tell the author that the timeline needs to be condensed. It’s a major change, but increasing the tension often makes other narrative problems disappear or at least become easier to fix. It improves pacing enormously and makes the structure of the novel really pop out and make itself obvious. If you are meandering through your plot slowly, more tension will help you find your climax and move toward it more easily. 2. Day by day So the second timeline issue was a chapter-by-chapter day-by-day issue. This happened at a much later stage in the process, at nearly the final revision before copyediting. After I had condensed the book events into one year, I needed to make sure that the seasons were right for each chapter and scene, and that events happened in the right order. You would be surprised at how often I had to shift things backward or forward in time so that one event that caused another didn’t happen chronologically after it in my narrative. What I did to fix this problem was make a chart for each chapter and then type in a date. Now, the kingdoms of Rurik and Weirland don’t have our Roman calendar and I purposely never referred to our months or days of the week. I always feel like fantasy loses its sense of other-worldliness if it relies on our conventions too much (unless it’s set in our world, in which case, it’s fine). So instead I used seasons and day numbers. Each event happened on a given day in a given season. When I put them all together with a short one-sentence explanation of each chapter, I could glance through and make sure there weren’t any long, unexplained absences (which, of course there were, but I had to fix). I also could see whether too much happened in one stretch. This visual was a useful way to make sure the scenes were organized properly and that the events happened in a measured fashion. I still have trouble with timeline in most books that I am working on now. Maybe one day I will figure out a way to hold it all in my head and not make a mistake. Ha! I've been making my own granola for a while now. It's lots of fun to pile heaps and heaps of stuff in a bowl, like a bucket of horsefeed. And it makes the house smell amazing. The images coming out of Moore, Oklahoma are just incredible. 51 people dead (as of this writing). A mile-wide swath of destruction. At least an EF-4 in strength, perhaps an EF-5. 200+ mph winds. And even after this, there will still be assholes who deny the reality of climate change.This entry was originally posted at http://redheadedfemme.dreamwidth.org/149 Ding dong, the draft is dead. We went and saw it last night, our final night in Phoenix, so we could see it in a really good theatre. And frankly, I was disappointed. It was good for a summer action movie, and it wasn't bad for science fiction, but some aspects of the story I was very unhappy with. My wife and I talked about it all the way home, well, all the way back to my parent's house. We had some similar complaints. Master, bless. ![]() Rambling during my book signing: ![]() ( More this way...Collapse ) In other news, it seems that my idea for a convention of introverts, Quietus 2016 (see my previous post), has some appeal! I believe I am capable of doing this. I have very good organization skills, I get things done, I am meticulous and determined, and I shall have plenty of excellent assistance. I have been taking notes, drawing up preliminary schedules. This event would be communal, simple, quiet, and mystical (I have scheduled a "mystical faire" -tarot readings and things of that nature- on the saturday). Laid back and merry. I am thinking that anything between 80-100 people would be ideal, but I could go up to 150 as an absolute limit. I think that my 80-100 people estimate is more likely. I have scheduled a total of eight hours for lectures, possibly. So there might perhaps be two tracks, depending upon the amount of proposals. As I wrote yesterday, there will not be much going on at once during this convention; hardly anything going on all at the same time. It will be mostly this thing, then that thing. There is a place I shall be checking out at some point this summer as a possible location for this event. It reminds me a bit of the Margate and looks like it might be ideal. But I shall have to investigate it further. A loved one mentioned doing this in the fall; I was thinking of june. What are your thoughts, most beloved, if this event is of interest to you? I believe an event in the fall is not possible for academics? Tell me :-) It is almost tempting to do this next year, but I know that 2016 would be more feasible, not to mention more reasonable. I am starting this project from scratch and there will be a number of details to work out. Doing it in 2016 would give me enough time to plan it without my hair falling out, especially since I have a few writing projects on my slate as well; and next summer I would have a kind of vacation. I shall pace myself. Because this will be a small convention, I shall start keeping a list of people who are very interested in coming; when the time comes for registration, those on the list would be informed first. As I said, I have plenty of time to put this together. Incidentally, I have already acquired a domain for the event, and shall have fun with the website (I love doing that sort of thing). Once again, I shall be keeping it simple, neat, streamlined. A loved one wrote to me, "you have the sort of... erm, space pirate... qualities to spearhead something like this :)" *laughs* For now, more rest. There are things around the house that need to be fixed or maintained this summer; I shall be writing; I shall start putting Quietus together and assembling my small team. In 2015 there will be MISTI. 'Tis all good. Your devoted Logospilgrim, the quiet professor I have olive bread, sharp cheddar, orange/cardamom tea, wrist braces, & 16 unscheduled hours. This draft dies today. Frederick Book Festival: A post only sort of related to the event. This is mostly a tale of survival
This weekend, I went to the Frederick Book Festival and had a fantastic time! I got to see people I rarely get to see (Diana Peterfreund, Miranda Kenneally, Blogger Jessica, Writer Laura, and my agent sister, Valerie Cole), and meet people I’ve known online but hadn’t yet had the chance to meet in person (Jen at Jenuine Cupcakes, P.J. Schnyder, Hanna at The Irish Banana, and Liza at Reading With ABC), and get to meet a few lovely new friends, too (Jennifer Armentrout, Amanda Brice, and many others). (I’m sure I’m forgetting lots of people. Sorry. I STILL ADORE YOU.) The event itself was great. Cold, but great. (See any of the numerous photos of us huddling in spare tablecloths.) I love getting to visit with other enthusiastic readers and writers. The energy was high! (Definitely aided by the presence of cupcakes.) You can read about the event on Cupcake Jen’s blog, and Liza’s, or check out the Frederick Book Festival hashtag on Twitter. This post is not about the awesomeness of the weekend. This post is about getting there, and getting home. Imagine me, sitting in my driveway, fussing with the GPS device so I could get to Frederick. Me: *types in F-R-E-* GPS: FREDERICKSBURG, VA? Me: No! Frederick in Maryland! *tries again* GPS: FREDERICKSBURG, VA? Me: GAH! No. Maryland! Oh, I see. It’s only searching in Virginia. At last, I figured out how to program the GPS to take me out of the lovely state of Virginia, and into the wilds of Maryland. My mom was on the phone with me during this time. Giggling. I knew which route I wanted to take — no interstates. There is a straight shot from my town up to Frederick, and I had printed instructions to help me get there. I’ve dealt with this GPS device before, and on every trip, it’s done at least one thing to try to get me lost. This time, I knew what to expect. Or so I thought. GPS: Exit right to interstate. Me: No. *drives past exit* GPS: $%%$&^*@! Recalculating. Turn left. Then turn left. Then exit to interstate. Me: *ignores and continues on the One True Road To Maryland* GPS: Recalculating. Drive one mile. Exit right to interstate. Me: No! Just shut up! Why can’t we just stay on this road? GPS: Exit right to interstate. This went on some time, with my mom cackling in my ear, until finally the GPS gave up and allowed me to take the road I wanted. But then we reached the next hurdle: the hotel entrance. This was one of those areas where you had to drive past the hotel and to the entrance, then turn into a driveway and through the parking lot. I’m not sure where my GPS wanted me to turn, but it was at least half a mile past the hotel. Fortunately, I figured it out and unplugged the GPS before it got sassy with me. I had to go out again that first day, but this time, I got directions to the Barnes and Noble from one of the hotel desk ladies. It was a straight shot. I didn’t even need the GPS! However, I wasn’t as confident on the way back. It was dark. And my agent sister Valerie was going to be following me. She trusted me to get her to the hotel in one piece. Cautiously, I turned on my GPS and asked it (nicely) to take me back to the hotel. GPS: Turn right. Me: *turns right* GPS: Go .5 miles. Turn right. Me: *wary* *but does it* GPS: Turn right. Then turn right. Then turn right. Me: Oh dear commas. I bet Valerie hates me now. But finally, I reached a familiar road and made it back to that weird entrance into the hotel parking lot. My GPS’s next turn distance counter kept getting higher and higher, though, as if I were getting farther from my destination. Even though I was in the parking lot. GPS: Drive five miles– Me: NO!!! The next day, Valerie and I drove to the fairgrounds for the book festival. I had paper directions and the GPS. I told it the address and we were off. Part way there, the roads disappeared from the screen. Leaving only the little car icon in a sea of white nothing. Me: WHERE ARE THE ROADS? Valerie: Just keep driving. Me: THE ROADS ARE GONE. Valerie: Drive! Me: WE DON’T EXIST ANYMORE! The roads eventually reappeared and we made it to the fairgrounds in one piece. No thanks to the GPS. (Later, Valerie helped me parallel park for the first time since I was sixteen.) When it was time to leave Frederick and head back home, I fired up my GPS, knowing I was in for more trickery and interstate-pushing, but how bad could it be? I knew I had to take the interstate to get back to the One True Road to Virginia, and my paper directions told me which exits I’d want to take in order to go the way I wanted, once the GPS began its efforts to lead me astray. I said bye to Valerie and took to the streets. Me: Isn’t this the road I should turn on? GPS: Drive one mile. Me: O . . . kay . . . GPS: Turn left. Me: *waits at endless stoplight* GPS: Drive .4 miles, then turn left onto interstate. Me: Didn’t I pass the interstate back there? GPS: Don’t make me repeat myself. Me: . . . . GPS: Turn left onto interstate. Me: There . . . is no left? *drives a little farther* GPS: Recalculating. Turn left. Then turn left. Me: *makes a U-turn* GPS: Drive .2 miles, then turn right onto interstate Me: Even though I’m driving the opposite way? There’s a turn? GPS: Turn right onto interstate! Me: That’s a parking lot. The interstate is waaay over there. GPS: $#%&* Recalculating. With some effort, I managed to make it back onto a street I knew, and then onto the appropriate interstate and got the exit that took me to the One True Road to Virginia. Of course, I spent the entire drive home fending off the GPS’s efforts to draw me onto the interstate, but . . . I made it. The GPS did not get me hopelessly lost, in spite of its best attempts to do just that. I knew I’d be fine if I did. I’d shoved two half-full bottles of water into my bag, as well as a granola bar and an apple, and I had almost a dozen cupcakes in the back seat. I was prepared for a long, cold winter summer of surviving in the mountains. Originally published at Jodi Meadows. You can comment here or there. Saturday, May 20th, 1972, was the first time I ever saw Paula. She and her parents were driving from Texas to California, and had stopped in Tucson to visit with Adeline McAvenia. Mrs. Mac and Paula's mother had worked together at Texas Women's University school of nursing. |
accomplished


relaxed
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creative
cheerful